The Composition of Music 4. Nevertheless, his work has had a great influence on many stravinsk composers. More than that, it is, of course, an intimate profession of faith revealing the detailed ideological context of the music; it is also the source of that unforgettable advice to the violinists: During the mids, Poeticd became interested in serialism. He goes on and on and on and on Jul 04, Luiz Fukushiro rated it really liked it Shelves: In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
|Published (Last):||5 November 2017|
|PDF File Size:||13.41 Mb|
|ePub File Size:||13.15 Mb|
|Price:||Free* [*Free Regsitration Required]|
Of all the books that I have read in my life, only a handful of books have affected me in a meaningful way. When it comes to books on music even fewer made made a lasting impression. And that goes for any form, any dialect, and any genre of music. Each of the chapters in the book was delivered at Harvard U in the s. They were written and delivered in French in the academic year and the book that was first published in was translated with great authority by Arthur Knodel and Ingolf Dahl.
When I first read the book, more than a decade ago, I was struck by how little I knew about music even though I first began my musical sorjourn at 4 years of age, in at Trinity College of Music in London. I had many fine teachers, none finer than Marie Lourdes Saldanha, who taught me pianoforte and the rudiments of musical theory.
Madam Saldanha was a wonderful teacher and I credit my love for the arts to her. It shaped not only my playing but also my understanding of how music worked in its most secret realm.
Like everything Stravinsky did, the lectures this book are revolutionary. I had read and was taught extensively about the music of those composers; I had studied their work even more extensively and even though I was required to and did know their music intimately or so I thought I was to learn everything anew after I first read Poetics of Music.
And today, when I write critiques of music it all comes into play. Whatever diminishes constraint diminishes strength. The more constraints one imposes, the more one frees oneself of the chains that shackle the spirit. No longer am I bemused by the most far-reaching musical statements that those musicians made in their works.
Stravinsky helped me — and continues to help me — understand more of the nuances not only of Beethoven, Bach and Mussorgsky, but also the great Jazz musicians. I had always believed that music is life and hence tried to superimpose my life in music upon life itself.
Bows are beautiful when they bend only because they seek to remain rigid. Rigidity that slightly yields, like Justice swayed by Pity, is all the beauty of earth. Everything seeks to grow straight and happily nothing succeeds in so growing. Try to grow straight and life will bend you.
After all is not Jazz like that? In fact, is not all music like that? And how much more beauty we see when our eves have been opened with that statement in Music as in Life. Harvard University Press.
Igor Stravinsky: Poetics of Music
So studierte er wie dieser ebenfalls zuerst Rechtswissenschaft in St. Als er mit W. Igor Strawinsky starb am 6. Strawinsky komponierte in den er Jahren auch serielle Musik. In seinen Erinnerungen  schildert Strawinsky sehr detailliert seine musikalische Entwicklung bis zur Psalmensinfonie und dem Tanzmelodram Persephone. Am Anfang stand der Klavierunterricht.
File:Stravinsky Igor Poetics of Music in the Form of Six Lessons.pdf